Individual skill
sw-writers-room
How episodic television actually gets made by a group (编剧室与制作现实) — merged from Goldberg & Rabkin (pitch as audition, leave-behind, cracking the story, beat sheet, notes discipline, production rewrites), Pamela Douglas (John Wells's room, staff-from-hell mistakes, the seven-rung ladder, step deal, the 14-day draft), Neil Landau's showrunner interviews (Lindelof, Mazzara, Katims, Bays), Evan Smith on sitcom staffing and roundtables, Richard Blum (dated), Kam Miller, and first-hand accounts by David Chase, Jesse Armstrong, Lucy Prebble, Aaron Sorkin, Julian Fellowes and Phoebe Waller-Bridge. Use when joining or running a writers' room, breaking an episode with a group, writing a leave-behind, beat sheet or outline on deadline, pitching episode ideas to an existing series, writing a spec episode, taking or giving notes, rewriting because of money, actors or locations, choosing between a staffed room and a single-author process, or asking 什么是 showrunner/编剧室怎么运作/怎么接 note.
plugins/screenwriting/skills/sw-writers-room/SKILL.md
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- ai Repository topic
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- operations Derived category
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SKILL.mdcore · 39,930 bytesreference.mddoc · 74,690 bytes
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# 编剧室与制作现实(Writers' Room & Production Reality)
> **输出语言=提问语言**;术语一律锚回原词,见 [sw-workflow/terms.md](../sw-workflow/terms.md),不自创译名。
电视剧不是一个人写完交出去的。它是**一个房间里的一群人,在固定日程和固定预算下每周生产一集**,而这个生产过程会反过来改写你的剧本。本 skill 讲:房间怎么运作、文档按什么体量什么顺序交、故事怎么在集体里被"破开"、note 怎么接、职级怎么爬、钱/演员/天气/场地否决你时怎么改而不毁掉这一集。
日程表、文档实物与访谈原话见同目录 [reference.md](reference.md)。
三个前提(多书共识):① **"电视的整个阶梯建筑在编剧的各种衔头上"**(Douglas 中译本第 5 章 p0199),与电影业"创作权力在导演、出资人可以买头衔"根本不同(Blum 第 19 章 p0246)——学剧集编剧就是学怎么当 writer-producer。② **"An episode is a product made every week in a specified number of days for a certain price and delivered at a guaranteed running time on an inflexible deadline."**(Goldberg & Rabkin 第 1 章 p0019)③ **房间里的表现比你的点子重要,甚至比你最终那本剧本重要**——"crafting stories is much harder than actually writing scripts"(Goldberg p0086)。
**不含**:幕结构与页码锚点、季形(→`sw-series-structure`);剧集设计、引擎、bible、pitch document 字段(→`sw-series-engine-bible`);喜剧笑点力学与喜剧房 punch-up(→`sw-sitcom-comedy`)。**美国合同、期权、署名仲裁、经纪制度的通论已在 `sw-industry-business` 第五、六节,本 skill 只写剧集特有的 step deal 与 staff 薪酬。国产剧制片链、备案审查、一度二度三度创作、分集大纲体系见 `sw-chinese-series-practice`。** 通用对白/场景/人物方法见 `sw-dialogue`、`sw-scene-craft`、`sw-character-conflict`。
**[reference.md](reference.md) 放实物、日程与长案例**:break story 七套方法总表(一)、Prebble 四条房间规则(二)、leave-behind 实物规格(三)、outline 格式与硬批注(四)、14 天法(五)、彩页与 cut-outs(六)、spec 选剧规则(七)、片头逐镜与 stasis 提问(八)、pitch 全套现场纪律(九)、note 实操四件(十)、职级表与 step deal(十一)、七宗错全文(十二)、场地与预算的账(十三)、瓶子集(十四)、演员(十五)、alts 与素材回收(十六)、救不回来的一集(十七)、五套流程对照表(十八)、Wells 的 ER 编剧室实录与 Souders/West 的房间(十九)、职级与钱的四书对照表(二十)、多机位一周制作表与 freelance 时间表(二十一)、六周专业日程与 14 天法(二十二)、beat sheet 与 leave-behind 的六份实物(二十三)、Fellowes 的 419 条脚注法则(二十四)、Succession 的被剪戏迁移链(二十五)。
## 按任务读哪几节(不要通读)