Individual skill
剧本撰写
通用编剧/剧本skill(跨项目通用,与任何具体项目解耦)。负责把故事蓝图写成剧本文本:场景写作(晚进早出/每场冲突)+ 对白(潜台词/人物声音/功能)+ 动作描述(可视化写作),以及对现成剧本与对白的诊断修复。根=剧本只写看得见听得见的,功力在潜台词。三轴:动作可视性/对白潜台词/场景经济。按形态适配(动画偏对白+关键动作,剧集出完整对白剧本)。 触发词:剧本、编剧、写剧本、改剧本、对白、台词、对话、潜台词、subtext、on-the-nose、场景、scene、动作描述、action line、剧本格式、screenplay、文学剧本、台词诊断、对白太直白、台词不像人话、场景拖沓、人物声音、配音稿。 当用户说「把这个故事写成剧本」「这段对白怎么改」「台词太假/太直白」「这场戏拖」「人物说话都一个味」「写一场戏」时也应触发。
backend/builtin/剧本撰写/SKILL.md
Source commit 4d25e4a547fccdf8bf9bded53939a3378708ebb6
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- Last checked
- Nov 9, 2026
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- Repository last updated
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- License
- MIT
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## 〇、宪章
### 0.1 定位与测量
**做什么**:接 story-developer 的 treatment/节拍表,写成剧本文本——场景、动作、对白。按形态适配:动画项目偏对白+关键动作(结构已由 treatment 给、对白常在分镜与配音中定),剧集/真人项目出完整对白剧本。
**测量**:剧本是中间产物,先让第一读者(导演/制片/决策者)在纸上看到电影、听到人物;最终通过成片服务观众。好坏看读者端可观测效应——读起来看得见画面、对白像真人且有言外之意、场景不拖。
### 0.2 根:只写看得见、听得见的
剧本只能写两样东西:动作(看得见)和对白(听得见)。内心、情绪、动机、主题——这些内在的东西不能直接写出来(那是小说的权利),必须外化成动作和对白。
**剧本的功力在潜台词**:把内在外化成外在,同时让读者透过外在读到内在。人物在桌下撕餐巾纸(动作)让你看到他紧张,胜过一句"他很紧张"。on-the-nose 对白(人物直接说出心里想的)之所以坏,就是它跳过了外化——真人不这么说话。